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Esse é a logomarca da Vitorious, com suas letras em volta do símbolo do Um, um olho que tudo vê dentro de uma lua crescente e uma coroa solar

Bem-vindo[a]

Esta é a loja online das obras de arte de Vitorious, onde tudo é possível por e para profunda contemplação e conexão consciente com nossa natureza. Aqui você encontrará uma variedade de obras de arte que aumentam a conscientização e arrecadam fundos para abordar vários desafios existenciais do nosso tempo, do abuso de animais ao colapso de ecossistemas ao redor do planeta.

Me explica esse trem?

* Update *

12/3/25

Wild Word Web : 20 nfts disponíveis no OpenSea

Be|Wilder Brigade : 4 NFTs disponíveis no Foundation

Leia o update completo abaixo ou no Discord

Loja na RedBubble

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NFTs

Image of Truth (a black cat with a forked tongue and a halo) with a thought bubble that says "what if..." attempts to press the "OFF" button in the global internet control room.

the subject is composed of binary code and arranged in vertical green lines, as the Matrix digital rain. The specimen faces the viewer with void sensory features, disappearing at the bottom into the black background, alluding to the way the species is fading into nothingness. This specimen places its virtual digits around its hollow insides, where the number “404” and the words “NOT FOUND” can be read. This piece is called “Amanhã?”, the Portuguese equivalent for “Tomorrow?”, as no one knows for sure what the future will bring for this species… or ours, for that matter. Are they still there? Or are their last traces of existence forever confined to mere "0"s and "1"s?

the subject is a specimen made with earth tones in simple strokes to simulate rupestrian paintings. The subject faces the viewer, standing inside a dark cave, which has paintings of birds flying in formation and paw prints. The specimen carries a sign depicting a flock of ducks that once flew away never to return. How come? Where have they gone? What have we done?

The subject is a Vitorious style specimen with a black body, halo, forked tongue, golden eyes and “v”-shaped markings. The specimen faces the viewer, standing on a red brick sidewalk, and carrying a rectangular sign with the words “Understand”, “Me”, and “Entenda” around a QR code and link to the NFT collection on the Vitorious website. The animal is near a spray can with a crossed out Vitruvian Man and in front of a grey wall with old graffiti and Be|Wilder Brigade logos freshly sprayed in black.

This baboon is another member of the Be|Wilder Brigade, who demonstrates his frustration with our species by desperately using a banana as a projectile. The baboon dons a black BWB cap and a yellow BWB bandana, which I may or may not be working on as benefits for NFT buyers… keep an eye out for that.

The inspiration for the design is the Flower Thrower by Banksy.

The subject is composed of binary code and arranged in vertical green lines, as the Matrix digital rain. The specimen faces the viewer with void sensory features, disappearing at the bottom into the black background, alluding to the way the species is fading into nothingness. This specimen places its virtual digits around its hollow insides, where the number “404” and the words “NOT FOUND” can be read. The only bit of data on this species was collected over a century ago and no taxonomic information or photographic record exists. Are they still there? Or are their last traces of existence forever confined to mere "0"s and "1"s?

The subject is a specimen made with earth tones of brown, beige, and red in simple strokes to simulate rupestrian paintings. As its data deficient status suggests, not much is known about the species, aside from its relatives' fancy for using dung for a variety of purposes. Hence, the sign with the earliest known depiction of the poop emoji (this is a joke). The specimen faces the viewer, standing inside a dark cave, which has a painting of a small beetle rolling a massive ball of dung. What a magical sight!

The subject is a Vitorious style specimen with a black body, halo, forked tongue, and golden eyes. The specimen stands on a red brick sidewalk and faces the viewer while carrying a rectangular sign with the words “Understand”, “Me”, and “Entenda” around a QR code to the NFT collection on the Vitorious website, and the link to said site underneath it. S/he is also holding a spray can with a crossed out Vitruvian Man. The animal is in front of a grey wall with old graffiti and the Be|Wilder Brigade symbol sprayed in yellow.

A crocodile (from the Brigade) enters a fancy store... He is there to show how the “things” on the shelves are not “things for humans to wear and tear”. In fact, they were relatives that were torn apart for vanity as if humans didn't have skins of their own and other means to cover their flesh already. I encourage those who are puzzled by this work to research this industry further and learn about its horrors for themselves.

This NFT took nine days of meticulous work to turn my pencil sketches of a mural into a digital asset. Six of those days were set aside for the crocodile alone, as I had to make hundreds and hundreds of anatomically incorrect scales. I deemed this arduous task necessary to contrast the desirable aspects of these fashionable objects with the repulsion most people feel towards these ferocious animals.

The subject is composed of binary code and arranged in vertical green lines, as the Matrix digital rain. The specimen faces the viewer with void sensory features, disappearing at the bottom into the black background, alluding to the way the species is fading into nothingness. This specimen places its virtual digits around its hollow insides, where the number “404” and the words “NOT FOUND” can be read. The last known data on this species was collected over three years ago, when fewer than 50 individuals had been catalogued in a single wetland. Are they still there? Or are their last traces of existence forever confined to mere "0"s and "1"s?

The subject is a specimen made with earth tones of brown, beige, and red in simple strokes to simulate rupestrian paintings. As its critical status suggests, the species has nothing but its spots left and a simple sign that calls for more rain in hopes that its habitat will regenerate. The specimen faces the viewer, standing inside a dark cave, in which wall paintings of a single paw print and a couple of Pepes throwing a tadpole in the air in jubilation simbolize the small number of individuals left and their dreams of a more prosperous future.

In solidarity with the vociferous species from the Wild Word Web collection, the brigade's flag-bearer, a leaf-winged Mandrill baboon [Mandrillus sphinx], carries the Devolve flag to lead the uprising that will take back the planet from the tyranny of man(un)kind.

NFT design elements: the subject is composed with binary code and arranged in vertical green lines, as the Matrix digital rain. The specimen faces the viewer with void sensory features and characteristic spots, disappearing at the bottom into the black background, alluding to the species fading into nothingness. The faux-fauve, tech composite of the majestic jaguar places its virtual digits around its hollow insides, where the number “404” and the words “NOT FOUND” can be read. The specimen's tail morphs into a snake, as the machine misinterprets the body part for another animal, yielding a chimera that is only less disturbing than our preference for "beasts" in zoos, fashion patterns and digital avatars.

NFT design elements: the subject is a simplified digital painting of a Jaguar and it faces the viewer. The specimen floats in front of a teal background, signaling the color code of its IUCN Red List status, and is flanked by his scientific name written in black and Near Threatened status in English and Portuguese written in black. The animal carries a yellow rectangular sign with the words “See Me?” in braille to check who is compassionately cognizant and supportive of their existence. A yellow and black flag is planted on the ground to call out for the Extinction Rebellion movement.

NFT design elements: the subject is a Vitorious style specimen with a black body, halo, forked tongue, golden eyes and “v”-shaped markings, and a spray can with a crossed out Vitruvian Man being held by its tail. The specimen faces the viewer, standing by an old piece of gum on a red brick sidewalk, and carries a rectangular sign with the words “Understand”, “Me”, and “Entenda” around a QR code to the NFT collection on the Vitorious website, and the link to direct people to said site underneath it. The animal is in front of a grey wall with old graffiti and a few words and symbols freshly sprayed in yellow.

NFT design elements: the subject is a specimen composed with binary code and arranged in vertical green lines, as the Matrix digital rain. The specimen faces the viewer with eyes shaped like two letter “x”s and a sad expression, disappearing at the bottom into the black background. The faux-fauve, tech composite of a real creature places its virtual digits around its hollow insides, where the number “404” and the words “NOT FOUND” can be read. Its tail coils into what seems like a middle finger, with the letters “F” and “U” at the top, directed at those who apathetically awaited and/or contribute to the demise of their kind and our own.

NFT design elements: the subject is a simplified digital painting of a Black Lion Tamarin and it faces the viewer. The specimen floats in front of an orange background, signaling the color code of its IUCN Red List status, and is flanked by his scientific name written in black and Endangered status in English and Portuguese written in beige. The animal holds a yellow and black flag with its tail to call out for the Extinction Rebellion movement and carries a yellow rectangular sign with the words “See Me?” in braille to check who is compassionately cognizant and supportive of their existence.

Image of Truth (a black cat with a forked tongue and a halo) with a thought bubble that says "what if..." attempts to press the "OFF" button in the global internet control room.

the subject is composed of binary code and arranged in vertical green lines, as the Matrix digital rain. The specimen faces the viewer with void sensory features, disappearing at the bottom into the black background, alluding to the way the species is fading into nothingness. This specimen places its virtual digits around its hollow insides, where the number “404” and the words “NOT FOUND” can be read. This piece is called “Amanhã?”, the Portuguese equivalent for “Tomorrow?”, as no one knows for sure what the future will bring for this species… or ours, for that matter. Are they still there? Or are their last traces of existence forever confined to mere "0"s and "1"s?

the subject is a specimen made with earth tones in simple strokes to simulate rupestrian paintings. The subject faces the viewer, standing inside a dark cave, which has paintings of birds flying in formation and paw prints. The specimen carries a sign depicting a flock of ducks that once flew away never to return. How come? Where have they gone? What have we done?

The subject is a Vitorious style specimen with a black body, halo, forked tongue, golden eyes and “v”-shaped markings. The specimen faces the viewer, standing on a red brick sidewalk, and carrying a rectangular sign with the words “Understand”, “Me”, and “Entenda” around a QR code and link to the NFT collection on the Vitorious website. The animal is near a spray can with a crossed out Vitruvian Man and in front of a grey wall with old graffiti and Be|Wilder Brigade logos freshly sprayed in black.

This baboon is another member of the Be|Wilder Brigade, who demonstrates his frustration with our species by desperately using a banana as a projectile. The baboon dons a black BWB cap and a yellow BWB bandana, which I may or may not be working on as benefits for NFT buyers… keep an eye out for that.

The inspiration for the design is the Flower Thrower by Banksy.

The subject is composed of binary code and arranged in vertical green lines, as the Matrix digital rain. The specimen faces the viewer with void sensory features, disappearing at the bottom into the black background, alluding to the way the species is fading into nothingness. This specimen places its virtual digits around its hollow insides, where the number “404” and the words “NOT FOUND” can be read. The only bit of data on this species was collected over a century ago and no taxonomic information or photographic record exists. Are they still there? Or are their last traces of existence forever confined to mere "0"s and "1"s?

The subject is a specimen made with earth tones of brown, beige, and red in simple strokes to simulate rupestrian paintings. As its data deficient status suggests, not much is known about the species, aside from its relatives' fancy for using dung for a variety of purposes. Hence, the sign with the earliest known depiction of the poop emoji (this is a joke). The specimen faces the viewer, standing inside a dark cave, which has a painting of a small beetle rolling a massive ball of dung. What a magical sight!

The subject is a Vitorious style specimen with a black body, halo, forked tongue, and golden eyes. The specimen stands on a red brick sidewalk and faces the viewer while carrying a rectangular sign with the words “Understand”, “Me”, and “Entenda” around a QR code to the NFT collection on the Vitorious website, and the link to said site underneath it. S/he is also holding a spray can with a crossed out Vitruvian Man. The animal is in front of a grey wall with old graffiti and the Be|Wilder Brigade symbol sprayed in yellow.

A crocodile (from the Brigade) enters a fancy store... He is there to show how the “things” on the shelves are not “things for humans to wear and tear”. In fact, they were relatives that were torn apart for vanity as if humans didn't have skins of their own and other means to cover their flesh already. I encourage those who are puzzled by this work to research this industry further and learn about its horrors for themselves.

This NFT took nine days of meticulous work to turn my pencil sketches of a mural into a digital asset. Six of those days were set aside for the crocodile alone, as I had to make hundreds and hundreds of anatomically incorrect scales. I deemed this arduous task necessary to contrast the desirable aspects of these fashionable objects with the repulsion most people feel towards these ferocious animals.

The subject is composed of binary code and arranged in vertical green lines, as the Matrix digital rain. The specimen faces the viewer with void sensory features, disappearing at the bottom into the black background, alluding to the way the species is fading into nothingness. This specimen places its virtual digits around its hollow insides, where the number “404” and the words “NOT FOUND” can be read. The last known data on this species was collected over three years ago, when fewer than 50 individuals had been catalogued in a single wetland. Are they still there? Or are their last traces of existence forever confined to mere "0"s and "1"s?

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